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Ludwig van Beethoven

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Symphony No. 1

Symphony by Ludwig van Beethoven

Ludwig van Beethoven's Symphony No. 1 in C major, Op. 21, was dedicated to Baron Gottfried van Swieten, an early patron of the composer. The piece was published in 1801 by Hoffmeister & Kühnel of Leipzig. Wikipedia

ComposerLudwig van Beethoven

First performance: April 2, 1800, Burgtheater, Vienna, Austria

Composed: 1800

KeyC major

DedicationGottfried van Swieten

Movements: Four

Opus: 21

Symphony No. 2

Symphony by Ludwig van Beethoven

The Symphony No. 2 in D major, Op. 36, is a symphony in four movements written by Ludwig van Beethoven between 1801 and 1802. The work is dedicated to Karl Alois, Prince Lichnowsky. Wikipedia

ComposerLudwig van Beethoven

Composed: 1802

KeyD major

DedicationKarl Alois, Prince Lichnowsky

Movements: Four

Opus: 36

Top recordings

Symphony no. 2 in D major, op. 36

Frankfurter Opern- und Museumsorchester · 1961

Symphony no. 2 in D major, op. 36

Carl Bamberger · 1961

Symphony No. 3

Symphony by Ludwig van Beethoven

Symphony No. 3

Symphony by Ludwig van Beethoven

The Symphony No. 3 in E♭ major, Op. 55, is a symphony in four movements by Ludwig van Beethoven. One of Beethoven's most celebrated works, the Eroica symphony is a large-scale composition that marked the beginning of the composer's innovative "middle period". Wikipedia

KeyE-flat major

Composed: 1803

ComposerLudwig van Beethoven

DedicationNapoleon Bonaparte, later retracted upon Napoleon's crowning himself Emperor

Movements: Four

Opus: 55

Top recordings

Eroica

Süddeutsche Philharmonie · 1991

 

Eroica

Alberto Delande · 1991

 

No. 3 In E Flat Major

Richard Cionco · 2012

 

Symphony No. 3 in E-flat major, Op. 55 "Eroica"

Wyn Morris · 1988

Symphony No. 4

Symphony by Ludwig van Beethoven

Symphony no. 4 in B♭ major, op. 60 | Christian Thielemann & Wiener Philharmoniker

Symphony No. 5

Symphony by Ludwig van Beethoven

Mahler - Symphony No.5 - Abbado - Lucerne Festival Orchestra 2004

4.6M views11 years ago

 

José Manuel

Gustav Mahler Symphony No.5 Claudio Abbado Lucerne Festival Orchestra, 2004 0:00 - Opening I. 0:55 - Traeurmarsch.

Symphony No. 6

Symphony by Ludwig van Beethoven

Ludwig van Beethoven - Symphony no 6 in F major, Op 68 - Pastoral Dirección Leonard Bernstein

Composer: Ludwig van Beethoven Title: Beethoven, Symphony No. 6 in F major, Op. 68 "Pastoral" Conductor: Leonard Bernstein Orchestra: Wiener Philharmoniker Ludwig van Beethoven (1770-1827) Symphony No. 6 in F Major, Op. 68 (1808) Recorded 12 November 1976 ’Pastoral Symphony, or Recollections of Country Life’ 00:45 I. Allegro ma non troppo Awakening of cheerful feelings upon arrival in the countryside 12:49 II. Andante molto mosso Scene by the brook 26:40 III. Allegro Merry gathering of country folk 32:05 IV. Allegro Thunderstorm 35:48 V. Allegretto Shepherd’s song. Cheerful and thankful feelings after the storm 46:00 Applause Vienna Philharmonic Leonard Bernstein, conductor

Symphony No. 7

Symphony by Ludwig van Beethoven

Triumph and tragedy: Beethoven’s Symphony No. 7, performed by the Royal Concertgebouw Orchestra conducted by Bernard Haitink. The audience loved this 2009 concert at the Royal Concertgebouw Amsterdam. (00:00) Introduction (00:35) I. Poco sostenuto – Vivace (14:46) II. Allegretto (22:46) III. Presto (32:08) IV. Allegro con brio Ask a person on the street what their favorite Beethoven symphony is, and they’ll likely say the Fifth, or the Ninth. But ask a classical musician, and a surprising number of times you'll hear: The Seventh. "Here every impetuosity, every longing and ranting of the heart becomes a blissful exuberance of joy." Those effusive words came from the pen of composer Richard Wagner, when he was describing the Symphony No. 7 in A Major, opus 92 by Ludwig van Beethoven (1770 – 1827). Composed between 1811 and 1812, Beethoven's Seventh provoked very different reactions from the beginning – it seems to have touched everyone deeply. The main themes in Beethoven's 7th Symphony are triumph and tragedy – the tragedy having to do with the second movement, a sort of funeral procession. It was so well loved at its very first performance that the audience called for it to be repeated. This movement is marked "Allegretto," which can be translated as "slightly fast." But for a funeral march? Certainly, the first listeners must have perceived it as such. The premiere performance of Beethoven's Seventh was at a benefit concert in Vienna for wounded soldiers and their families in December 1813. It came only two months after the Battle of Nations near Leipzig. The German name is "Völkerschlacht" (Slaughter of the Peoples), one of the most catastrophic wartime events in human history. It also marked liberation from Napoleon's forces. The sad, beautiful quality of the second movement makes it very different from the other three movements of Beethoven's Seventh. Endlessly mournful, but also uplifting, it is still played at funerals today. But the dense juxtaposition of dignified funeral marches and movements full of exuberant joy in Beethoven's Seventh also caused alienation and even rejection among the composer's contemporaries. "He's ripe for the madhouse!" wrote composer Carl Maria von Weber. Weber had just heard a performance of Beethoven's Seventh Symphony with its rollicking fourth movement. It can be amusing to read how the first listeners reacted to a composition that is today a classic. Weber wasn't the only critical voice. Clara Schumann's father, Friedrich Wieck, thought that "this symphony – particularly the first and the last movements – could only have been written in a state of inebriation." Fast-forward from then to now: Need a little lift? Then listen to the finale to Beethoven's Symphony No. 7 in A Major, opus 92, marked "Allegro con brio" (fast, with verve). The tempestuous interpretation by Bernard Haitink and the Royal Concertgebouw Amsterdam was met with thundering applause and enthusiastic calls for an encore. © AVRO

Symphony No. 8

Symphony by Ludwig van Beethoven

Symphony no. 8 by Gustav Mahler performed by the Netherlands Philharmonic Orchestra with chief conductor Marc Albrecht. Recorded at the Concertgebouw, Amsterdam on Saturday February 23 2019. Netherlands Philharmonic Orchestra Marc Albrecht, conductor Camilla Nylund, soprano Ailish Tynan, soprano Regula Mühlemann, soprano Janina Baechle, alto Helena Rasker, alto Klaus Florian Vogt, tenor Tommi Hakala, baritone Shenyang, bass Choirs WDR Rundfunkchor Köln London Symphony Chorus MDR Rundfunkchor Leipzig Knabenchor Hannover Koorschool St. Bavo Haarlem

Beethoven 9 - Chicago Symphony Orchestra - Riccardo Muti

Symphony by Ludwig van Beethoven

Symphony No. 9

Symphony by Ludwig van Beethoven

On May 7, 1824, Beethoven shared his 9th Symphony with the world even though he could never hear it. On May 7, 2015 celebrate the anniversary of Beethoven’s most glorious and jubilant masterpiece with Riccardo Muti and the Chicago Symphony Orchestra and Chorus. An exhilarating testament to the human spirit, Beethoven’s Ninth bursts with brooding power and kinetic energy and culminates in the exultant hymn, “Ode to Joy.”The video is now available free on demand for all to enjoy! For additional videos of Riccardo Muti, visit riccardomutimusic.com. September 19, 2014 Orchestra Hall at Symphony Center Chicago Symphony Orchestra Riccardo Muti, conductor Camilla Nylund, soprano Ekaterina Gubanova, mezzo-soprano Matthew Polenzani, tenor Eric Owens, bass-baritone Chicago Symphony Chorus Duain Wolfe, director

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